Showing posts with label flash. Show all posts
Showing posts with label flash. Show all posts

Wednesday, June 29, 2011

Scott van Pelt recalls the Tonight Show fiasco.

SportsCenter does these dj mixes of the month that play around with a lot of soundbites. They also did a recent "things they should trademark" segment. I was thinking about the NBC craziness with Leno and Conan and thought I would write a little remembrance up using quotes. Then I realized this was the perfect time to have an extended use of hyperlinks--it's a new type of reading really. So I hope this isn't too unbearable to get through. It's not very good, but it's the thought that counts, right? (Wrong.)

Friday, August 14, 2009

"The Respect in Names"

This is something I've been toying around with since I wrote my book in November. Some guy just got named James Bond. This is an excerpt from what would eventually be a novel or novella about how he went from everyman to Bond-like character that would tightrope the fourth wall like a skirtchaser following your sister.

Apologies to what may end up being self-plagiarism--this post is a return of sorts to the blog and I'm just sort of writing out this fiction without a strong amount of planning. What I'm worried about is that this story could end up similar to another I write here someday, with some character names swapped. Of course, with that typed up I can't see any similarities between the story I'm thinking of in my mind and the one I'm writing now, but there might be, and I thought there were when I turned it a certain way at some point.

And now without further interruption, the feature presentation:

007


People put too much respect into names. I think I'm living testament to that. You introduce yourself as James Bond and people laugh and when they take you seriously, when you show your ID, and then on top of that you've been friends for three and a half weeks, they look at you differently than they do say the Brads or the Phillips, the everyday John Smiths and Does, even though these days those everyman tales of unoriginality draw semi-laughing stares too.

I mean, it's not like I'm mad at anyone, but I think it really lessens the believability of everything I say, everything I've done is endlessly called into question, and the problem I have is gaining any sort of real respect that isn't just formed by the fakeness that comes in my signature. I'm not out here making jokes, not introducing myself last name first, it's always "James..." and a belabored muffled "Bond" to people who keep my gaze, who make it apparent that they know too many Jameses and need me to distinguish more.

I've had reprieves, ten years ago, I moved west under the moniker of James Ballard, a private in-joke for me, that would inevitably bring about the end of my paradise. I'm not looking for pity here, that's not my point, I just mean to put out here the concept that I am telling the truth, not uncoloring and presenting you a G-rated black and white version of my life. If I'm going to actually get into any sort of confession, recollection of what my life has been, I do need to know that it will be believed. I offer this as a way of setting your minds, while I also know that it will inevitably fall through. Like I said, people put too much respect into names, I think it's something we picked up when we invented language, the whole idea that what the name of something tells you has to be true--more contemporarily we see this in radio, print, television, the internet, people like to make assumptions and like to be told things. I'm okay with that.

From that preface, I'd like to move on to what you will see as an unlikely situation, what you will assume is me hiding behind some sort of modesty, putting on the mask of a lesser man. Perhaps what you don't understand is that false respect wears a man down, causes him to eventually question all compliments, all support offered.

Anyway, we get out of the country, across the pond, and I have this odd feeling the entire time that I've forgotten something behind, in my apartment, something important. She's an interesting girl, pushy, and I'm her employee for this little trip, so it goes to say bossy. Asleep on the plane, in a dream, it occurs to me that what I'm leaving behind is not just something semi-important like a suit or a particular brand of cologne, my dress shoes, or anything tangible. What I'm leaving behind is the man I've been all my life, the man who's been forced to be going through the motions, some secret agent man so deceptive he doesn't even know who he really is.

I think the part of me that was gone was the one that at least subscribed to a reasonable facsimilie of some sort of free will. This was a woman who had found me and paid me to come out here and play Sherlock Holmes, something I was unused to. James Bond wasn't known for his paid exploits but rather his comradery. I've at least picked up enough faked stories to keep the water cooler boys happy when we're out on the town playing Bateman. But stories of my skills of detection, I'm especially lacking on those.

In my mind, the memory is fresh, she's opening the box and it's full of Benjamin Franklin, his many crispy faces glimpsing up at me, a man that looks weird in any color other than green. What I warn you to remember about me is that I can be bought, I'm Casey at the bat, easily willing to take a fall if you can give me enough funds.

You don't know what life I've been living, spending more than I have night in, night out, this was an escape route that presented itself to me without any coaxing and now I will have to solve this mystery, put together this puzzle. I didn't ask questions, I don't know what I'm going to be doing, this was a Bobbie Sue course of action, this was just taking the money and run.


Now we're in some luxury hotel listed as a married couple, "undercover," she mouthed to me as we checked in and right now I'm lying on the bed momentarily, before I move myself down to the floor--a transition I plan on making of my own accord--looking up at the fan above me attempting to see one of the blades made distinguishable from the others, but like everything lately, this attempt falls fruitless.

And then I hear her in the shower calling back to me, "Ugh, I can't use this soap, the smell reminds me of my father, a man I'd much rather forget. I have a bar in my bag, could you get it for me?" I get up and walk over to her bag unsure of what to do. "It should be the third flap on the front side," she says. I locate this pocket and pull out exactly, a bar of expensive soap. And I think, do I want to find out more about this woman? Am I coming apart at the seams because of how little consistency my life has had lately?

Suddenly something catches my eye and I look up through the window at the night sky, bar of soap in my hand, and I watch a star shoot quickly across. Normally I'm not one for hocus pocus, but normally I'm not one for business trips out of country with strange women. And so I wish.

2:35AM Wed 8/19/09
Def: 4pp

Tuesday, August 4, 2009

"Smash my head to make it spin"

Starting it off with a title taken from “Thrashing Days” by The Notwist, what might be apparent from the tag I’ve put on today’s post is that I see this one as little snippets, clips, like a news update, bite-sized little morsels. Think of each new title as a headline or better yet, as the cards they show before the scenes in episodes of Frasier.


“Print as the Phoenix”

There’s been much debate about how much longer paper publishing is going to be able to hold on and not enough insight into which way it is really heading. We are not approaching so much an end to books, but a specialization of them. As Jay Leno talks about how electric cars will allow gasoline vehicles to become niche items, the same is going to grow true for paper. When it comes down to it, people are going to have to want to read books, and not screens that replicate books to near exactness (and believe me, they aren’t that far away from getting there).

The great thing about paper, though, is its versatility. The free newspaper is generally well received and considered unmenacing, has an approval rating leaps and bounds above junk email. Warren Ellis has an idea of a company that takes a set number of blogs that you like, collects a word count or an entry count, page count, whatever would work best in this case, and spits you out a paper every now and then. I’m not sure how developed his idea is, and I don’t have his blog post handy at the moment (I know, I know, I’m playing this one close to the chest), so I guess I’ll just have to assume that I’m adding to his thoughts, but if not, his idea is brilliant enough in its own to be spread. How I would tweak this is through mail delivery and ad space. Suddenly you have regionalized ads floating around, perhaps even better than TV. You have a publishing company making a newspaper out of individual blogs that all they have to do is get a minor profile on, and I would expect advertisers to go wild. The best kind of commercial is the one that’s selling something the customer is likely to want, doncha know?

So I’m also thinking, how hard would it be to take this and streamline it a little bit, make the paper something you just write off, send out to everyone in a certain area, perhaps collect profile posts of different bloggers, the like, would this sort of thing have a market? And if so, suddenly money and advertising can come from all sides. Bloggers hoping to boost their credit to companies and thus sell more ad space could pay this company to publish them and then you have the same process. Or you can piggyback this into the first idea; add a new blogger to each copy sent to a perspective reader, sort of like TiVo suggesting new shows I might like.

The reason that the newspaper is going out of style definitely has nothing to do with the newsprint itself, but with the fact that television news and the internet make your regular newspaper obsolete. But think about a collection of different people’s minds, made manifest in your hands to open and read their thoughts. And whether or not this is a group that you have chosen for yourself, I seriously doubt that there’s anyway that clicking between tabs is going to be seen as a cooler thing than just turning pages.


“Baseball as the Human Sport”

In Futurama, of course, if I remember correctly, there is some humor poked at baseball’s history. As America’s pastime, it is easy to foresee that most of the problems that the country might face would be mirrored in its ballgame, its relaxing night on the couch with a beer and the son watching the country stage little city versus city or league versus league rivalries. From 9/11’s delaying the season into October (its notorious play off month) and pushing the World Series into November, baseball and the country have sure come a long way. But when we go back, we have a time when baseball would actually make the first move, like watching your mirror reflection part your hair a different way, before you begin to do so yourself. What I am talking about is the story of Jackie Robinson, which is one I’ll assume you know moderately well. Although conditions were not as they should’ve been, baseball did take steps towards integration before the country, as a whole, under Johnson, would begin to resolve this growing problem of second-class citizenry. Tracing back from number 42’s unprecedented career, we are led to the silver lining of baseball’s segregation: the Negro Leagues. Supplying a new think tank on baseball and a new experimentation process, these independent baseball leagues would help form some of today’s endearing concepts in the majors—fan voting in the All-Star Game, inter-league play, etc. And it is this era that Futurama parodies. Bender is of course a fan of the robot blernsball (an evolved form of baseball played in the 3000s) players who are not allowed to play in the big leagues. This paragraph thus serves as a caution that I do not mean to point out that baseball is a sport without robots with the title to this section.

What I do mean to portray here is that baseball is a sport that will always come down to someone calling the game. Replays should not ever be allowed outside of their current use in home run calls, and balls and strikes should vary from umpire to umpire. This is an idea that baseball itself even upholds in its uneven ball parks, that once they stretch past the infield diamond, can become completely different affairs, perhaps built to suit particular stars of the team playing there at the time or only incidentally brought up to cause certain peculiarities and differences. From turf to grass, even, baseball fields have their own characteristics, like people in their own ways. From the baggie in right field of the Metrodome to Tal’s Hill in deep center of Minute Maid Park in Houston, baseball presents its venues as each a little different, each needing a little time to get used to.

And that’s really what makes the game what it is. Because everything is a little bit different, a little bit more left to chance, in a baseball game. And with 162 games per team per year for the regular season, each game is like meeting someone new.


“My Novel as a Movie Franchise”

The book that I have mainly in my head right now is growing in its own way, little bits of plot, tiny shards of knowledge forming in my mind that will hopefully be able to be pieced back together into a worthwhile mirror once again at the end of the day. It’s an odd thing, because I think I’m so used to short stories, things that have beginnings, middles, and ends, whereas a book can obviously have those as well, but the middle generally becomes its own set of crests and troughs, that are, in their own right, new beginnings, and new ends.

What is interesting to me at the moment is how I’ve been basing all my stories in the same sort of universe for a while now, basically our own, but with a hazy illustrator who leaves key differences here and there, as well as major ones that could in themselves be written of in stories (one of which I have begun writing), and now this book has somewhat spiraled forward and planted itself into this world that I had already begun to create.

This is what Tolkien did, definitely, and what Alan Moore suggests. Sort of like starting with the setting of a picture before you paint any people in it. And, even though this isn’t generally the way I write things, I like the way my mind is thinking right now.

The original Casino Royale film was actually a satirical James Bond film in 1967, and even though this film may not have been greatly well received, I think it does go somewhere we rarely see, which is a film franchise that not only switches leads or minor characters or canon, but actually genre as well. My novel I see as something along the same lines as this. Mayhap in three parts, the first presenting one genre and then perhaps even an interlude allowing time for our actors to get backstage to change their clothes into the costumes for the next part, making sure that this time they have the right mask. And even if that might seem more like a play than a movie to you, I just say that the way I see my novel now is like waves lapping the beach, one comes in and has a certain majesty to it, something that can’t be truly replicated, and then the next comes down on us, and no matter if the water looks exactly the same in either image, both waves hit in completely different styles. Equally original, and equally as hard to surf.


And that’s the only three of any value in writing that I can pluck off the top of my head at the moment. (Value in my opinion, as self-evaluation, or as Vonnegut put it, comparing “myself with myself.”) Another idea I may try out on another Tuesday could actually be a form of non-fiction symmetrina, but for now I’m quite whipped.

Saturday, January 3, 2009

This is another story...

Just wrote this, it's quite a bit shorter than the last one. (Can you spot The Dark Knight quote?)



I knew Trisha for three years before I ever made the move and then, even after that, it was all uncommitted. You wanna study at the food court on Saturday? I think I’m going to fail this physics test! I was always so envious of her determination. She would tell me she wasn’t anymore smarter than I am and sometimes she would yell at me about wasted potential, but I would just quote my Meatloaf to her and there’s only so many times that you can say “A wasted youth is better by far than a wise and productive old age,” before someone absolutely forbids him- or herself from baiting you into it again. But she was a friend and a caring one at that, who would push her morals to the breaking points to get me out of a bind. Sometimes it felt bad, lying to her about why I didn’t do my math homework, I fell asleep right after I got home from work, just not used to balancing it all, you know?, or only skimmed three pages of the first chapter of a book we were being tested on, I ordered the book online, it’s in the mail, and once in a while I would nearly come clean. Mid-way through my senior year, it was; when I decided that I wasn’t going to lean on her any longer, and tried to make my own way. This did, however, take its toll, and it got to be where without my three cups of coffee in the morning, I couldn’t let myself drive, even if it was my day for the car pool. My friends, Billy, Sean, Tate, you know the crowd, they were surprisingly understanding, perhaps because of the change in my appearance and mentality. It seemed as if it was every other day someone who I’d never said more than three words to was like, “Damn, Jake, you look like shit,” and I’d say thank you and move on. I brought my grades up, because I was doing schoolwork in my dreams; fighting off numbers with a calculator, reading book reports in front of the class in the nude, and drilling it all into my head. I was becoming more distant, would stand Trisha up on weekends when we were supposed to meet, because any time I was free was spent making up for all the lack of sleep and she got really angry with me this one time, when I totally blew her off in the hallway. So I said that I’d take her to some party or other, don’t really remember what it was, and she got moderately excited, because we were both on the very outskirts of popularity and we’d never actually done anything together, which I’ll admit was a leading reason I relented in the fashion that I did, because I knew it would be the quickest way to get her off my back. And when we were there, I let myself go a little too much, found the right people, got drunk, and we started talking and it was like the first time we’d spoken in two or three weeks, but I wasn’t paying enough attention and so picked a bad moment to make my pass at her, attempting to steal second before I’d even seen a pitch. So she jumped away and said some things I didn’t catch and I called her a prude and gave up on trying to work anything out, even though I’ll admit now, it probably wouldn’t have been too hard. Maybe it was because I felt like my masculinity had somehow been threatened, it would probably have not taken much, since I’d never fucked before, and I felt that everyone thought I was a loser; a part of my relationship with Trisha was that I could place her under me on the social scale, a terrible thing I know, and for a woman like her to deny someone like me? It broke down all the walls I’d built up over the years to deal with life. I think…I think I was still rational enough to ask her if she could get a ride home, but I don’t recall any kind of response from her, all I do remember is gathering up my amigos, getting behind the wheel of (I think it was) Bruce’s car, and driving off into traffic. I don’t even know where I was driving, because the accident occurred nowhere near any of our houses, but rather somewhere out in the country and there wasn’t even another car involved, I just turned a corner going too fast and crashed into…something…I mean, here, my memories, they get vague. I moved out of the house, left my family behind, and moved into a new place that was very small, which didn’t help at all with my claustrophobia. I mean, the new digs, they weren’t terrible, I was closer to my friends, and all these people came by to say hey, which I truly appreciated. So you know, I fell into this new life for a few months, think it was about three, before the epidemic hit. It was kind of an overnight thing, I didn’t hear a thing about it, and all of a sudden, I’m infected-like, all of us in this part of town are coming down with the damn disease. And maybe it’s just a rationalization, but I start off to her house, because I’m afraid I’ll never get to see her again, and she does mean something to me, even if I did give up on us. When I get to her house, it’s dark, I don’t have a watch to check the time, and I walk up to the door and just kind of shove myself against it. When Trisha opens it, she gasps. “Jake?” she says, “But you and your friends are dead!”

And I say, “Brains!”